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Gerald Raunig

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arbeitet am eipcp (European Institute for Progressive Cultural Policies), u.a. in der Redaktion der multilingualen Publikationsplattform transversal texts, sowie als Professor für Philosophie an der Zürcher Hochschule der Künste.

Seine Bücher sind ins Englische, Serbische, Spanische, Slowenische, Russische, Italienische, Holländische und Türkische übersetzt. Neuere Buchveröffentlichungen in deutscher Sprache: Kunst und Revolution. Künstlerischer Aktivismus im langen 20. Jahrhundert, Wien: Turia+Kant 2005, Neuauflage Wien: transversal texts 2017; Instituierende Praxen. Bruchlinien der Institutionskritik, Wien: Turia+Kant 2008 (gemeinsam mit Stefan Nowotny, Neuauflage Wien: transversal texts 2016); DIVIDUUM. Maschinischer Kapitalismus und molekulare Revolution, Band 1, Wien: transversal texts 2015; Maschinen Fabriken Industrien, Wien: transversal texts 2019; Ungefüge. Maschinischer Kapitalismus und molekulare Revolution, Band 2, Wien: transversal texts 2021.

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works at the eipcp (European Institute for Progressive Cultural Policies) as one of the editors of the multilingual publishing platform transversal texts, and at the Zürcher Hochschule der Künste as professor for philosophy.

His books have been translated into English, Serbian, Spanish, Slovenian, Russian, Italian, Dutch, Macedonian, and Turkish. Recent books in English: Art and Revolution. Transversal Activism in the Long Twentieth Century, translated by Aileen Derieg, New York/Los Angeles: Semiotext(e)/MIT Press 2007; Art and Contemporary Critical Practice. Reinventing Institutional Critique, London: mayflybooks 2009 (Ed., with Gene Ray); A Thousand Machines, translated by Aileen Derieg, New York/Los Angeles: Semiotext(e)/MIT Press 2010; Critique of Creativity, London: mayflybooks 2011 (Ed., with Gene Ray and Ulf Wuggenig); Factories of Knowledge, Industries of Creativity, translated by Aileen Derieg, New York/Los Angeles: Semiotext(e)/MIT Press 2013; DIVIDUUM. Machinic Capitalism and Molecular Revolution, Vol.1, translated by Aileen Derieg, New York/Los Angeles: Semiotext(e)/MIT Press 2016; Dissemblage. Machinic Capitalism and Molecular Revolution, Vol. 2, Minor Compositions 2022; Making Multiplicity, Polity Press 2024.

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Es filósofo y teórico del arte (Zürcher Hochschule der Künste). Coeditor del eipcp (European Institute for Progressive Cultural Policies), Viena. Sus libros recientes: Producción cultural y prácticas instituyentes. Líneas de ruptura en la crítica institucional, Madrid: Traficantes de Sueños 2008 (editado con Marcelo Expósito y transform); Dividuum. Capitalismo maquínico y revolución molecular Vol. 1, traducido por Raúl Sánchez Cedillo, Málaga: Subtextos/Cactus 2022; Desamblaje. Capitalismo maquínico y revolución molecular Vol. 2, traducido por Kike España, Málaga: Subtextos/Cactus 2023; Máquinas, fábricas, industrias, traducido por Ignacio Rial-Schies y Marcelo Expósito, Buenos Aires: Unsam 2024; Arte y Revolución, traducido por Marcelo Expósito y Kike España, Madrid: Traficantes de Sueños 2024.

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Filozof, teoretičar umetnosti (Zürcher Hochschule der Künste); radi u eipcp, Evropskom institutu za progresivne kulturne politike (European Institute for Progressive Cultural Policies); predavač na univerzitetu na Institutu za Filozofiju, Univerziteta u Klagenfurtu/A; član uredništva višejezičnog webžurnala transversal http://transversal.eipcp.net/; brojna predavanja, eseji i publikacije iz oblasti savremene filizofije, teorije umetnosti, političke estetike i kulturne politike.

Poslednje knjige: Umetnost i revolucija. Umetnički aktivizam tokom dugog XX veka, Novi Sad: kuda 2006;  A Thousand Machines, New York/Los Angeles: Semiotext(e)/MIT Press 2010; Factories of Knowledge, Industries of Creativity, New York/Los Angeles: Semiotext(e)/MIT Press 2013.  DIVIDUUM. Machinic Capitalism and Molecular Revolution, Vol.1, New York/Los Angeles: Semiotext(e)/MIT Press 2016; Dissemblage. Machinic Capitalism and Molecular Revolution, Vol. 2, Minor Compositions 2022.

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Filosofo e teorico d’arte. Lavora all’eipcp (European Institute for Progressive Cultural Policies) e all’Accademia delle Belle arti di Zurigo. Sue recenti monografie: Art and Revolution. Transversal Activism in the Long Twentieth Century, tradotto da Aileen Derieg, New York/Los Angeles: Semiotext(e)/MIT Press 2007 (disponibile anche in tedesco, serbo, russo, sloveno, e di prossima pubblicazione in spagnolo);  A Thousand Machines, tradotto da Aileen Derieg, New York/Los Angeles: Semiotext(e)/MIT Press 2010 (disponibile anche in tedesco e spagnolo); Fabbriche del sapere, industrie della creatività, tradotto da Roberto Nigro, con un epilogo di Toni Negri, Verona: ombre corte 2012.  DIVIDUUM. Machinic Capitalism and Molecular Revolution, Vol.1, translated by Aileen Derieg, New York/Los Angeles: Semiotext(e)/MIT Press 2016.

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filozof i teoretyk sztuki. Pracuje na Zürcher Hochschule der Künste (Akademia Sztuk Pięknych w Zurychu) i eipcp w Wiedniu (European Institute for Progressive Cultural Policies; Europejski Instytut Progresywnych Polityk Kulturowych). Jeden z redaktorów wielojęzycznego czasopisma sieciowego Transversal oraz periodyku Kamion. Autor m.in: Art and Revolution: Transversal Activism in the Long Twentieth Century (2007); A Thousand Machines: A Concise Philosophy of the Machine as Social Movement (2010); Factories of Knowledge: Industries of Creativity (2013); DIVIDUUM. Machinic Capitalism and Molecular Revolution, Vol.1, translated by Aileen Derieg, New York/Los Angeles: Semiotext(e)/MIT Press 2016.

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Родился в 1963 году в Вене. Философ, теоретик искусства. Автор книг «Дивидуум: машинный капитализм и молекулярная революция» (2015), «Фабрики знания, индустрии креативности» (2012), «Тысяча машин» (2008), «Искусство и революция: художественный активизм в долгом двадцатом веке» (2005, русское издание 2011). Работает в Европейском институте прогрессивной культурной политики, Вена, и в Цюрихской высшей искусства. Соредактор публикационной платформы «Трансверсальные тексты». Живет в Вене.